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At 1290/WICE/Providence, RI, he was known by his real name, Frank Smith. At WRKO,
Bill Drake named him Bobby Mitchell. His original assignment at WRKO was
a replacement for then-morning man Al Gates. Bobby remained morning man
until the arrival of Dale Dorman, and left the station in May of 1970, for
WABC. On September 22, 1978, he returned to WRKO as Frank Kingston Smith
(his real name) and stayed there until the station changed to a talk format.
Here's how Frank tells it.
It's me. The guy who had trouble remembering his assigned name. First one
I ever had. Took about four months to get the hang of "Bobby Mitchell."
I remember it coming out "Billy Mitchell" once, being a WWII aviation buff.
Eventually it was Bobby "The Boss Hoss" Mitchell. I still have that darned
jingle somewhere. My real name is Frank Kingston Smith, with a "Junior"
on the end, but I only ever used that once, at WIBG, AM 990 in Philadelphia,
after I left WRKO in May of 1970. I'm originally a Philadelphian.
I was not in the original WRKO team. (I was hired) after all the internal
changes, Woo Woo's (Ginsburg) removal from the air, and Jon Powers' being
hired for overnight, Drake-Chenault became the consultant for all the RKO
General stations. Drake just couldn't control Al Gates, so he removed him
from mornings and hired me out of WICE. So I was Bill Drake's first
hire at WRKO. I was hired to do mornings, but in my fourth year of daily
radio, I was certainly not ready for morning drive in a major market. So
Drake brought in Dale Dorman from KFRC. I moved to Noon to 3, ahead of J.J.
Jeffrey (who used to call me "Smitch"). I arrived in a raging
snowstorm and went on the air three hours later, 6 - 9PM.
Ruby Tuesday was #1, and Penny Lane b/w Strawberry Fields Forever had been released the day before. I got hired to WRKO the day Martin Luther
King, Jr. was assassinated and my third week on the air at WRKO, Bobby Kennedy
was assassinated. Great way to remember my beginnings.
When Chuck Knapp (did something to) get fired, Drake had me moved to 6 to
9 PM while the daytime shifts went temporarily to four hours. I moved back
to Noon to 3 when WRKO hired a kid out of Tucson whom Drake named Shadoe
Stevens. (He and I are still friends.)
For about four months, until both Bill Drake and I realized I was in over
my head at that point in my career doing morning drive, I did AM drive,
Gatesy did 9 to Noon and Joel did Noon to three. When they moved Gates over
to WROR, which was still automation, Dorman moved into AM drive, Joel moved
to 9 to Noon, and I moved into Noon to 3. When they fired Chuck Knapp, daylight
hours moved to four-hour shifts and I did 6 to 9 PM, while the company hired
Shadoe Stevens. Then I moved back to Noon to 3. Shadoe moved off to LaLa
Land, and I THINK "The Mover, Johnny Williams" came in. When J.J .Jeffrey
left for Philly, I moved into PM drive.
By the way, WFIL had tried to hire me before I decided to go to WIBG. I
had worked with Jay Cooke as one of the original "Super 6" at WFIL. When
I accepted afternoons at WIBG, Jackson T. Reynolds, the PD of the moment,
went right on the air and announced I would be coming BACK to Philadelphia.
Not three minutes later, the phone in the WRKO jock lounge rang; it was
Jay. His first words to me were: "Say it isn't so." J.J. left for
WFIL in late 1969, and I moved into afternoon drive, where I stayed until
I left to be opposite J.J. at WIBG in May of 1970.
Two neat things about my career at WRKO: I was the official voice of the
original History of Rock and Roll in 1969, at WRKO. (Recording that is a
story which could fill a book.) Each station recorded its own version using
local jocks; scripts and actualities were provided by Drake-Chenault Enterprises.
I did 39 of the 48 hours.
Here's an interesting observation which I made on the air in Boston in 1992
when WODS Oldies 103 purchased the latest version of The History of Rock
and Roll (voiced entirely by Bill Drake): The original History of
Rock and Roll was recorded in 1969 and traced Rock (rock-a-billy and R&B)
back to about 1953, a total of 16 years. Since the original HRR, 23 years
had passed, that was seven MORE years than the original considered the beginning
of Rock and Roll history, for a total of 39 years. And still, HRR was only
50 hours long as compared to the original 48. (For all the Drake-formatted
stations) I was designated pinch voice for the jock IDs and half-hour breakers
for Drake, who recorded those himself most of the time.
After 29 years, the last 5 1/2 at Oldies 103 (WODS Boston), I left radio
in 1993 and moved to Arizona. I'm still in love with the medium, but with
three businesses between my wife and me, I really don't have time for a
radio gig at Phoenix prices. I write for a couple of national publications
and am regarded as pretty good storyteller. One of my current employments
is announcing air shows (flying shows) all over North America. I just announced
my last one of this year at Eglin AFB. Best, Frank (Thanks for listening,
music lovers)
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